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Reddick, a young, white artist, lives in Bedford-Stuyvesant, a historically black Brooklyn neighborhood besieged by gentrification. He makes rent as an art handler in Manhattan and spends his free time playing basketball at the local Y. He is also the last person to see Hannah before she disappears. When Hannah’s fiancé, scion to a wealthy Upper East Side family, refuses to call the police, Reddick sets out to discover what happened to her.

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For Dr. Jessie Teska, it was supposed to be a fresh start. A new job in a new city. A way to escape her own dark past. Instead, she faces a chilling discovery when an opioid-overdose case contains hints of something more sinister. Jessie’s superiors urge her to close the case, but as more bodies land on her autopsy table, she uncovers a constellation of deaths that point to an elaborate plot involving drug dealers and Bitcoin brokers.

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Hollis Bragg lives on the fringes. The hunchbacked son of a West Virginia hill preacher, he now resides in rural isolation next to the burned-out husk of his father's church, and earns his living ghostwriting songs for a popular band that left the poverty and corruption of Appalachia and never looked back.